Sony FX2 Full-Frame Cinema Camera (Body)
ILMEFX2B
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Description
CINEMATIC EXPRESSION WITH A FULL-FRAME SENSOR
The full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R® CMOS sensor supported by our BIONZ XR™ image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries all the tools they need.
OUTSTANDING IMAGE QUALITY FOR MAXIMUM EDITING FLEXIBILITY
The FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine color gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.
LOG RECORDING MODES FOR PRODUCTION FLEXIBILITY
For creative flexibility, there are three modes available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI widely used in professional filmmaking for footage shot with post-production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.
MULTIPLE RECORDING FORMATS FOR VERSATILE SHOOTING AND EDITING
7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p) recording is available in Super 35mm mode. Professional quality is supported by 10-bit depth, 4:2:2 color sampling, an efficient MPEG-H HEVC/H.265 codec, and Intra recording including DCI-4K (4096 x 2160).
IMPORT UP TO 16 USER LUTS
With the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed8. The LUT used for recording can then be embedded in the video metadata.
CREATE MOODS RIGHT IN THE CAMERA
Picture Profile presets make it easy to adjust color and gradation to create a variety of moods in camera. These include the acclaimed S-Cinetone™, which can help produce beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.
DESQUEEZE DISPLAY FOR ANAMORPHIC LENSES
Anamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings9, and Sony’s Monitor & Control app provides even more detailed settings for monitoring on a tablet or other external display devices.
FRAME RATE FREEDOM
An FPS menu inherits features from our professional Cinema Line models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion11 at 4K resolution, or up to 5x slow motion11 when recording in Full HD at up to 120 fps.
AN EXTENSIVE RANGE OF EXPRESSIVE E-MOUNT LENSES
Sony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, primes and powered zooms. Combine with Sony microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.
Technical Data
Specification | Value |
---|---|
Lens mount | E-mount |
Type | 35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor |
Number of pixels (effective)*1 | Still images: Approx. 33.0 megapixels max. |
Number of pixels (effective)*1 | Movies: Approx. 27.6 megapixels max. |
Number of pixels (total) | Approx. 34.1 megapixels |
Optical low pass filter | Yes |
Latitude | 15+ stops (S-Log3) |
Color temperature range | 2500 K - 9900 K |
Anti-Dust function | Yes |
Recording Format(Still Image) | JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant) |
Image size (pixels) [3:2] | 35mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M) |
Image quality modes | RAW |
Image quality modes | JPEG |
Image quality modes | HEIF (4:2:0 / 4:2:2) |
Image quality modes | RAW & JPEG |
Image quality modes | RAW & HEIF |
14bit RAW | Yes |
Video compression | XAVC HS: MPEG-H HEVC/H.265 |
Video compression | XAVC S: MPEG-4 AVC/H.264 |
Audio recording format | LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit) |