Nikon ZR (Body)
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Description
Imagine being able to capture professional footage anywhere, without the need for a large crew. Discover the ZR—insane full-frame image quality, class-leading built-in audio and unbeatable versatility. A groundbreaking compact 6K cinema camera for filmmakers at all levels.
The Nikon ZR is as versatile as it is powerful, with a multitude of original and class-leading capture and workflow features never seen before in this level of camera. The new Nikon ZR can record up to 6K/60p (59.94p) and incorporates the new R3D NE1 RAW video file format with RED colour science based on RED’s popular R3D RAW codec, with 15+ stops2 of dynamic range. This new codec uses colour science and exposure standards of RED cameras to ensure accurate colour matching, even for multi-cam shoots. The impressively huge 4 in. DCI-P3 LCD is nothing short of stunning, and bright enough to be used even in direct sunlight, while often eliminating the need for an external monitor. It also has class-leading audio capabilities such as 32-bit float audio from built-in and external microphones, plus OZO3 directional audio. The ZR also has 7.5 stops of built-in image stabilization (IBIS) and unlocks a whole new world of optical versatility, since the wide Nikon Z mount enables a large variety of lenses to be adapted using third-party lens adaptors.
Legendary RED Colour Science, Built-In
The new ZR features a full-frame sensor for excellent depth of field and video quality and supports internal recording up to 12-bit RAW 6K/60p. This is the first camera to use the new 12-bit R3D NE RAW codec, a new RAW format which REDCODE RAW users will find familiar. By leveraging its broad 15+ stop dynamic range, it achieves well-balanced image quality from highlights to shadows. Support for Log3G10 and the
REDWideGamutRGB gamut reproduces exposure standards and colours consistent with RED colour science, with true RED colour tonality, skin tone integrity and tonal roll-off– similar to the output of RED’s cinema
cameras such as the V-RAPTOR [X] and KOMODO-X. Two base ISO sensitivities are available, ISO 800 and ISO 6400, allowing users to choose the best option for a particular scene or situation such as bright daylight or lowlight interior scenes. However, just like REDCODE RAW, ISO in R3D NE files is fully adjustable in post for maximum flexibility.
Incredible Audio: 32-Bit Float Audio Recording + OZO Audio Support for Built-In Mic
With uncompromising attention to audio capabilities, the ZR is the world’s first cinema camera to support 32-bit float audio recording with both built-in and external microphones, as well as through the 3.5mm microphone jack. This unique ability enables the recording of clear, distortion-free sound from quiet to loud, without requiring on-location gain adjustment. It supports recording a wide range of sound sources, from interviews to live concerts, with maximum audio flexibility in post. The three high-performance mics built into the camera use Nokia’s OZO Audio technology to realize cutting-edge audio recording. Filmmakers can choose from one of the five polar pickup patterns — [Front (Super directional)], [Front], [All directions], [Rear], an [Stereo (binaural)] — that best suits the situation, from interviews or product tutorials to immersive audio applications.
The ZR is also the first Nikon camera to feature a digital accessory shoe, which enables two-way digital communication between the camera and compatible accessories, allowing for advanced functionality such as tally lamp and microphone LED control. Additionally, the camera can supply power directly to supported accessories, eliminating the need for separate batteries or cables. The newly designed rubber shoe cover
provides excellent dust and drip resistance, ensuring reliable performance in a variety of shooting environments. Going forward, Nikon will collaborate with third-party accessory manufacturers to offer a wide range of solutions that meet the diverse needs of filmmakers.
High-Performance Autofocus with Nikon's Deep Learning-Based AI Technology
The impressive processing power of the EXPEED 7 image-processing engine installed in Nikon's flagship camera Z9 and AI technology that utilizes deep learning, enables more accurate subject detection and tracking for optimal image processing in accordance with the subject, scene and situation. This makes capturing the intended subject with greater accuracy much easier, significantly expanding possibilities for film production. The camera also detects nine types of subjects automatically, including people, animals and vehicles. It even detects small faces occupying as little as 3% of the long side of the frame for precise focusing on distant human subjects. Users can also adjust AF speed and sensitivity to suit their creative style, enabling a slow rack for cinematic effect or fast-paced focus for action.
Technical Data
Camera Specifications | |
---|---|
Camera Type | Digital camera with support for interchangeable lenses |
Sensor Type | 24.5 MP Full-Frame CMOS |
Sensor Size | 35.9mm × 23.9mm |
Dynamic Range | 15+ Stops |
Mount Type | Z Mount |
Lens Compatibility | Accepts FTZII Mount Adapter with F-mount lenses. Supports third-party lenses (functions may be limited with non-Nikon adapters). |
Battery Type | EN-EL15c, Compatible with external V Mount batteries via USB-C |
Weight | 1.19 lbs (Without battery and cards) |
Dimensions (L×W×D) | 133mm × 80.5mm × 48.7mm |
Max Recording Time | 125 minutes |
Media Primary | CFexpress Type-B |
Media Secondary | Micro SD (UHS-I) |
Monitor Size | 4″ |
Monitor Color | DCI-P3 |
Monitor Type | Vari-angle LCD |
Monitor Brightness | 1000 cd/m² |
I/O Power Data | Type-C USB (USB 3.2) |
I/O External Monitoring | Type-D HDMI |
I/O Audio Capture | Line Input / Digital Hot Shoe |
I/O Audio Monitoring | 3.5mm Headphone Jack |
I/O Digital Accessory Shoe | Hot-shoe with sync and data contacts |
I/O Tripod Socket | 1/4 inch |
Codecs | REDCODE RAW (R3D NE) / 12-bit, NIKON N-RAW / 12-bit, PRORES RAW HQ, PRORES 422 HQ, H.265 (10-bit/8-bit), H.264 (8-bit) |
Audio Recording | 32-bit float, 24-bit, 5 pickup patterns via Nokia OZO Audio (H.265/H.264) |
Log Profiles | RED Log3G10 (R3D NE), Nikon N-Log (N-RAW, PRORES RAW, PRORES 422, H.265) |
ISO Sensitivity | Dual Base ISO – RED Log3G10: 800/6400; Nikon N-Log: 800/6400 |
Color Management | Supports up to 10 LUTs (17, 33, 65-point). Compatible with 24/25/30/60p frame rates. |
Picture Controls | Cloud Picture Controls by RED (CineBias variations, Achromic, BleachBypass, etc.) |
Autofocus | 9 Subject Detection Modes (people, animals, vehicles, etc.), programmable AF speed, sensitivity & recall |
In-Body Stabilization | Nikon Vibration Reduction with 7.5 Stops |
Features | Time-lapse, electronic VR, time codes, REC lamp, HDR (HLG), waveform, REC frame indicator, dual-format proxy recording, breathing compensation, Hi-Res Zoom |
Camera To Cloud | Adobe Frame.io via Nikon NX MobileAir app |
Photographic Tech Specs | |
Megapixels | 24.5 |
Exposure Modes | P, S, A, M |
User Modes | U1, U2, U3, U4 |
File Formats | NEF (RAW), JPEG, HEIF, RAW + Secondary Format |
Shutter Speed Range | Electronic: 1/16000s to 900s |
Release Modes | Single, Continuous (low/high/extended), High-speed frame capture + (Pre-Release), Self-timer |
Frame Advance Rate | Low: 1–7 fps; High: 16 fps; Extended: 20 fps; C15: 15 fps; C30: 30 fps; C60: 60 fps; C120: 120 fps |
ISO Range | ISO 100 – 64,000 |
White Balance | Auto, Sunlight, Cloudy, Shade, Incandescent, Fluorescent, Flash, Kelvin (2500–10,000K), Presets (up to 6), Fine-tuning |
Picture Controls | Flexible PC, Rich Tone Portrait, Deep Tone Monochrome, Flat Monochrome, Vivid, Standard, Neutral, Creative modes (Dream, Pop, Sepia, etc.), Custom & Cloud Controls |
Timelapse Mode | Yes |
Wi-Fi | Yes |
Bluetooth | Yes |
Connectivity | Nikon SnapBridge App |
Camera To Cloud | Nikon Imaging Cloud |